Hangama Amiri on Art Viewer
Hangama Amiri at COOPER COLE To view the full post visit Art Viewer. For more information about Hangama Amiri please contact the gallery: info@coopercolegallery.com +1.416.531.8000
Hangama Amiri at COOPER COLE To view the full post visit Art Viewer. For more information about Hangama Amiri please contact the gallery: info@coopercolegallery.com +1.416.531.8000
Emma Kohlmann at Cooper Cole By Michael Thompson The final scene of William Dear’s academy award–winning Harry and the Hendersons (1987), sees patriarch George Henderson, played by John Lithgow, lead his family into a dense wood situated atop a secluded mountain range. They’ve fled here in an effort to escape a pursuing tail of journalists and covert government agents who are eager to capture the family’s illicit cargo: a giant sasquatch …
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Jennie Jieun Lee at COOPER COLE To view the full post visit Art Viewer. For more information about Jennie Jieun Lee please contact the gallery: info@coopercolegallery.com +1.416.531.8000
Getting Inside the Ideas of Geoff McFetridge Geoff McFetridge paints the thought before a thought. Or a thought before it becomes a thought. He is sort of in the realm of what does infinity look like? Where does an idea end and begin; and what is an idea anyway? In recent years, Geoff has been open to articulation of his thought-process when painting, but he seems to making grander statements …
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Gravity Model at COOPER COLE To view the full post visit Art Viewer. For more information about the artists please contact the gallery: info@coopercolegallery.com +1.416.531.8000
‘The World that Belongs to Us’ traces the complexity of colonial history The intergenerational artists of the exhibition The World that Belongs to Us draw upon the nuanced colonial history to revisit its ramifications in current times. Exhibition view of works by Chila Kumari Singh Burman in The World that Belongs to Us, The New Art Gallery Walsall, UK Image: Courtesy of Jonathan Shaw By Dilpreet Bhullar The cultural history of England is synonymous with the cosmopolitan …
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Maureen Gruben | The land that used to be “Maureen Gruben at Qikuryuaq, Husky Lakes, May 7, 2023” (Photo: Kyra Kordoski) Land is fundamental to the work of Tuktoyaktuk-based artist Maureen Gruben. Often drawing on the intimacy of the handmade, Gruben’s work balances the vastness of tundra with the scales at which its inhabitants live with it. Engaging traditional materials, techniques and knowledge alongside the detritus of modern life, Gruben …
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By James Carl Jenine Marsh’s recent work in sculpture and installation is confrontational—you might describe it as unapologetic and frank, thoughtfully impolite and occasionally impolitic. Her installation sensibility is situational, with discreet objects accompanying casual floor spills and fragments, drawing attention to both the viewer’s own component parts and the architectural idiosyncrasies of the spaces in which she’s been asked to show art. Her investment in traditional craft, notably metal …
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Triple Threat Jordan Alexander Is Ready To Be Vulnerable by Ozioma Nwabuikwu Photo by Jorian Charlton To view the full article visit Range. For more information about Jorian Charlton please contact the gallery: info@coopercolegallery.com +1.416.531.8000
Hangama Amiri’s ‘Recess’ // ‘Healer’ by Milad Yousufi KCUR Children ambling about in a schoolyard is a familiar scene, but in Amiri’s “Recess” the girls pictured aren’t playing with any visible toys: the balls present are left on the ground and there is a sense of detachment between the children, along with a physical distance from the school itself. When the Taliban regained control of Afghanistan after recent U.S. withdrawal, …
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