The Way We Live

COOPER COLE is pleased to present, The Way We Live, a group exhibition featuring works by Marvin Luvualu Antonio, Van Maltese, Jenine Marsh, Kate Newby, Paul P., and Fin Simonetti.  

It will take place between April 9 – May 10, 2024 at Conceptual Fine Arts in Milan, Italy.

This exhibition delves into the intricacies of contemporary existence, offering nuanced reflections on our perceptions and the cycle of life. The artworks presented in this show explore themes such as mental health, mortality, labor, and the human impact on our environment—whether natural, manufactured, or personal.

The following text written by Jenine Marsh accompanies the exhibition.

The Way We Live

The onion smell of flower bulbs
sold in mesh nets and kept under sinks
in a cool dark place
a mock burial and symbolic sacrifice
exhumed and inhumed
again and again
to make the spring come
If my own promise could be so hidden
it’d spin in my stomach
a hot dark place
strung on a chain of seasons
But no, it’s planted in my mouth
an iron tooth
or so-called cultured pearl
saved for later barter
unspent until certain
of the sun’s place in the sky

– Jenine Marsh, 2024

For press and sales inquiries please contact the gallery:

+1.416.531.8000

info@coopercolegallery.com

Artworks

Marvin Luvualu Antonio

Untitled

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Marvin Luvualu Antonio – Untitled, 2024

Ink, acrylic, pencil on paper

10" X 7.5"
25.4cm X 19.05cm

M.LA0009

Marvin Luvualu Antonio

Untitled

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Marvin Luvualu Antonio – Untitled, 2024

Oil pastel, acrylic, pencil, cut-and-pasted photograph on Xerox

11" X 8.5"
27.94cm X 21.59cm

M.LA0010

Van Maltese

Trompe l’oeil device

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Van Maltese – Trompe l’oeil device, 2021

Oxidized silver, enamel

Edition of 28 + 2 AP

0.7" X 0.8" X 0.9"
1.78cm X 2.03cm X 2.29cm

V.Maltese0141

Jenine Marsh

Proximity’s Flowers (46)

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Jenine Marsh – Proximity’s Flowers (46), 2019

Flowers, synthetic rubber, acrylic varnish, wire

7.5" X 1" X 2"
19.05cm X 2.54cm X 5.08cm

J.Marsh0103

Jenine Marsh

Charm for the Remainder (The (re-)construction of Fully Visible Forms)

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Jenine Marsh – Charm for the Remainder (The (re-)construction of Fully Visible Forms), 2022

Flowers, wire, coin, train-pressed coins, newspaper clippings, synthetic rubber, acrylic UV varnish, nails

15.5" X 2.25" X 2.25"
39.37cm X 5.71cm X 5.71cm

J.M0158

Kate Newby

Smaller than some bigger than most

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Kate Newby – Smaller than some bigger than most, 2019

Brass, silk thread, hand spun wool, lichen

Dimensions variable

K.Newby0051

Paul P.

Untitled

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Paul P. – Untitled, 2005

Watercolour on paper

10.45" X 6.9"
26.54cm X 17.53cm

P.P0232

Paul P.

Untitled

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Paul P. – Untitled, 2005

Watercolour on paper

10.45" X 6.9"
26.54cm X 17.53cm

P.P0231

Paul P.

Untitled

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Paul P. – Untitled, 2005

Watercolour on paper

10.5" X 6.9"
26.67cm X 17.53cm

P.P0230

Fin Simonetti

Untitled

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Fin Simonetti – Untitled, 2021

Portoro marble

Dimensions of shovel: 17 x 2.5 x 2 in Dimensions of slab: 27 x 11 x 0.75 in

F.Simonetti0016