Eileen Isagon Skyers (b. 1991, Manila, Philippines) holds a BFA from University of South Florida, and a MFA from Pacific Northwest College of Art, USA. Her work has been shown at Williamson Knight, Litman Gallery, Surplus Space, Portland; and Quiad Gallery, William and Nancy Oliver Gallery, Tampa, USA. Skyers’ has curated exhibitions at American Medium, HOUSING, New York; Digital Gallery, Hap Gallery, Portland; and Unit 19, Tampa, USA. Eileen Isagon Skyers lives and works in Brooklyn, USA.

CV

Eileen Isagon Skyers

Born 1991, Manila, Philippines
Lives and works in Brooklyn, NY

Education

2014
MA Critical Studies, Pacific Northwest College of Art, Portland, USA

2012
BFA Studio Art, University of South Florida, Tampa, USA

Solo and Two Person Exhibitions

2018
Eyes Without a Face, Williamson Knight, Portland, USA

2017
No Domain, Littman Gallery, Portland, USA

2015
Custom Effect, Surplus Space, Portland, USA
Custom Effect, Quaid Gallery, Tampa, USA

2015
NEW CONTACT, Littman Gallery, Portland, USA

2012
Semblance, William and Nancy Oliver Gallery, Tampa, USA
You Had to Not Be There, USF Centre Gallery, Tampa, USA

 

Selected Exhibitions, Screenings, Performances

2019
A Complete Change of Form Into A More Beautiful Or Spiritual State, Cooper Cole, Toronto, Canada

2018
CODETTE #3 Reading, American Medium, New York, USA
NATASHA Issue #2 Reading, American Medium, New York, USA

2017
The Wrong Biennial, Various Locations
Chroma: Talk Therapy, WWOC Conference, Powerplnt, Brooklyn, USA
NATASHA Issue #1 Reading, Downs & Ross, New York, USA
Plat/Forms, Planeta, New York, USA
No-place, Gallery Protocol, Gainesville, USA
Empatheatre, Open Signal, Portland, USA
SPAMM Globe Tour, Paris, France; Chicago, USA
Mind Control, Alter Space Gallery, San Francisco, USA

2016
Art After Trump,” Housing Works, New York, USA
Helper Projects, NADA Miami, USA
New World UNLTD, Shoot the Lobster, New York, USA
Websafe 2k16 Live, Brooklyn, USA
2DAY, S1, Portland, USA
TRAFFIC.zip, Worksound International, Centro Historico, Mexico City, Mexico
Parallelograms, S1, Portland, USA
Holding Space, Holocene, Portland, USA
PNCA Alumni Art Auction, Pacific Northwest College of Art, Portland, USA

2015
Fast Forward, Workaround International, Portland, USA and Städelschule, Frankfurt, Germany
CENTRAL at HQ HQ Project Space, Portland, USA
Test Patterns, Compliance Division, Portland, USA
Rebound, Gamut Space, Tampa, USA

2014
BYOB, Ditch Projects, Springfield, USA
Machine in the Ghost, curated by Danny Olda, Kirk Ke Wang, Tampa, USA
Spielberg Theatre, Los Angeles, CA
Home Street Home, Pond, Portland, USA
COOL WORK, BASED VOGUE, HQ Objective, Portland, USA
Experimental Film Festival (EFF) Portland, USA
Unbound 2 at Infinite Scroll, St Petersburg, USA
PDXX, Spectacle Theatre, Brooklyn, USA

2013
International Streaming Festival for Audiovisual Art, The Hague, Netherlands
Aesthetics of Futurism, Centre for Living Arts, Mobile, USA

2012
Art House, University of School of Art and Art History, Tampa, USA
ANIM8ED, William and Nancy Oliver Gallery, Tampa, USA

2011
Mixtape, Tempus Projects, Tampa, USA
Lucid Living, USF Centre Gallery, Tampa, USA

Curated Exhibitions

2018
While Removing the Garbage or Paying the Cleaner, American Medium, New York, USA
Black Twitter in the Hour of Chaos, HOUSING, New York, USA
We Could Forever, HOUSING, New York, USA
Black Gooey Universe, HOUSING, New York, USA
Hard Feels, Ace Hotel, New York, USA

2016
DiMoDA 2.0, Digital Museum of Digital Art, New York, Brooklyn, Pittsburgh, Miami, Providence, USA; Serkal, UAE

2015
To Feel What I Am, Hap Gallery, Portland, USA

2014
SOUTH, Unit 19, Tampa, USA

Publications

2019
The Art Happens Here: Net Art Anthology”, Rhizome at the New Museum Catalogue (Forthcoming)

2018
Lund, Jonas, New Art Anthology artist texts, rhizome.org
Pillowtops and Beyond #2
Eyes Without a Face, NATASHA #2

2017
“On Movement, or Removal: Black Cultural Production” Online, Discursive Impulse
“Trigger: Gender as a Tool and Weapon”, New Museum Catalogue
Net Art Anthology artist texts, Marisa Olson, Eva and Franco Mattes, rhizome.org
A Dictionary of the Revolution, rhizome.org
Glass Press of the Future Vol. 3
“Unwatchable”, Ferrofluid Journal Vol. 3

2016
“GWC Investigators”, New World Unlimited Vol.3 Websafe 2K16

2015
“Vanishing Acts”, Link Editions
“Pillowtops and Beyond”, Publication Studio
“Printed Web #3”, Library of the Printed Web
“Likewise”, Publication Studio
“To Feel What I Am”, Hap Gallery Edition
“Rebound”, Gamut Space

Honors, Awards, Affiliations

Thesis Award, On Internet Art: A Critique of the Imperceptible Interface, PacificNorthwest College of Art, Portland, USA
Topical Cream Board Member
Thoma Foundation Digital Arts Writing Award Nominee
Editorial Fellow, Rhizome.org
HOUSING Co-founder
HQ Objective / Fortune Executive Board Member
Hampton Arts Management Grant Recipient
MA CT+CR Merit Scholarship, Pacific Northwest College of Art
Raymond Endowed Scholarship, University of South Florida
College of the Arts Council Executive board member, School of Art and Art History President 
 School of Art and Art History Talent Grant
Scholastic Achievement Award, University of South Florida
National Society of Collegiate Scholars Scholar Abroad Summer Recipient
2nd Place, Institute on Black Life Art competition, University of South Florida

 

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