
Opening reception: Friday December 15, 2017, 6-9pm
COOPER COLE is pleased to present Nature’s Way, an exhibition curated by Lee Plested.
It’s nature’s way of telling you, something’s wrong.
It’s nature’s way of telling you, in a song.
It’s nature’s way of deceiving you, its nature’s way of retrieving you.
It’s nature’s way of telling you, something’s wrong.
-Randy California, Spirit, 1970
Titled after the song by Randy California and Spirit for their album The Dreams of Dr Sardonicus, Nature’s Way’s circular structure and melancholic tone resonates with feelings of alienation and the urgent desire to reconnect to nature. This song is especially resonant during this time of destabilized weather patterns and our collective recognition of globalized industry and exponential capital’s impact. The artworks in the exhibition are culled from the individual artists experiences negotiating the strictures of contemporary life, often by embodying the delirious potential of the natural sublime. These desiring machines machinate the psychological dimension of their contemporary urban experiences through their making. In this way, the works are tools of agency in a period of anxious upheaval.
Written on the back of Spirits first real hit, 1984, the album The Dreams of Dr Sardonicus marked a deeper engagement for Randy California and the band with the emerging social and environmental crisis. Essentially distopic, the title of the album refers to a film in which the audience is witness to the delirious deviancy of the protagonist, Dr. Sardonicus, and then given the ‘opportunity’ at the end to vote for or against his annihilation. This pantomime of democratic process reverberates in our current climate, a time when many feel helpless in facing the mores and obscured intentions of the elected leaders, a moment that has begun to shake and fragment our belief in the possibility for moral ethic beyond avarice.
Nature’s Way is a ballad of despair and a call for reckoning. These artists explore a similar fatalism, trapped between human instinct and the constrictive actuality of contemporary life. Sometimes utopian, sometimes clinical, sometimes unconsciously, the artists turn to the expressive potential of art’s formal vocabularies. Brought together, the exhibition will realize a Brechtian landscape of allegorical experiences; not a road map for the future, but a poetic pantomime for dancing on the edge of a possible natural retrieval.
For more information please contact the gallery:
info@coopercolegallery.com
+1.416.531.800
B. Wurtz
Thirteen Green Yogurts
Thirteen Green Yogurts, 1995
Green crayon on paper
B. Wurtz
Ten Blue Yogurts
Ten Blue Yogurts, 1995
Blue crayon on paper
B. Wurtz
Ten Scarlet Yogurts
Ten Scarlet Yogurts, 1995
Scarlet crayon on paper
B. Wurtz
Sixteen Scarlet Yogurts
Sixteen Scarlet Yogurts, 1995
Scarlet crayon on paper
B. Wurtz
Nine Orange Yogurts
Nine Orange Yogurts, 1995
Orange crayon on paper
B. Wurtz
Fourteen Orange Yogurts
Fourteen Orange Yogurts, 1995
Yellow crayon on paper
B. Wurtz
Four Blue Yogurts
Four Blue Yogurts, 1995
Blue crayon on paper
B. Wurtz
Five Violet Yogurts
Five Violet Yogurts, 1995
Violet crayon on paper
B. Wurtz
Fifteen Scarlet Yogurts
Fifteen Scarlet Yogurts, 1995
Scarlet crayon on paper
B. Wurtz
Eleven Green Yogurts
Eleven Green Yogurts, 1995
Green crayon on paper
B. Wurtz
Eight Purple Yogurts
Eight Purple Yogurts, 1995
Purple crayon on paper
B. Wurtz
Umbrella Handle
Umbrella Handle, 1996
Wooden dowel, rope, plastic bag, nail
Scott Treleaven
Untitled (Mercury, in profile)
Untitled (Mercury, in profile), 2017
C-print from 35mm double-exposure
Edition of 3, 2 AP
Scott Treleaven
Untitled
Untitled, 2017
Inkjet
Edition of 1, 1 AP
Diptych, 21.75 x 14.25 in each
Bernard Pfitzner
21 collages
21 collages, 2015-2017
Edition of 3, 2 AP
Dimensions variable
G.B. Jones and Paul P.
Untitled
Untitled, 2002
Collage on paper
P.P0009
G.B. Jones and Paul P.
Untitled
Untitled, 2002
Collage on paper
P.P0008
G.B. Jones and Paul P.
Untitled
Untitled, 2002
Collage on paper
P.P0007
G.B. Jones and Paul P.
Untitled
Untitled, 2002
Collage on paper
P.P0006
G.B. Jones and Paul P.
Untitled
Untitled, 2002
Collage on paper
P.P0005
Judith Linhares
Waiting for Horseman
Waiting for Horseman, 2017
Gouache on paper
Gailan Ngan
Rainbow with Pink Meltdown
Rainbow with Pink Meltdown, 2017
Clay, slip, glazes
Tiziana La Melia
Sitting on her hair
Sitting on her hair, 2015
Flashe, ink, panel, staging with Lee: weeds, plastic, poem, apples, incense
Tiziana La Melia
Aquarium Club Console (Roots)
Aquarium Club Console (Roots), 2015
Steel, glass, orange crush can, keys, bait, water bottle, hand cuffs
Glenn Lewis
Mud Flats Storm Bay
Mud Flats Storm Bay, 2017
Lighjet print and teabowl, woodfired stoneware
18.8 x 14.3 in and 4.5 x 7 in
Glenn Lewis
Burial Tree at Storm Bay
Burial Tree at Storm Bay, 2017
Lighjet print and lidded jar, bird knob, woodfired stoneware
12.8 x 18.8 in and 4.7 x 7 in
Glenn Lewis
Looking North Storm Bay
Looking North Storm Bay
Lighjet print and platter, woodfired stoneware
25 x 16.2 in and 8 x 23.2 in
Nile Koetting
Prospective Cyclones 2018
Prospective Cyclones 2018 - 2020, 2017
Print on swimsuits, emergency whistle, metal
Matthew Higgs
Rockburne
Rockburne, 2017
Book pages, two frames
20 x 17.5 inches and 20 x 18.5 inches
Matthew Higgs
Reading Painting #__ (Peter Schjeldahl)
Reading Painting #__ (Peter Schjeldahl), 2014
Acrylic on canvas, publication, wire, staples
Elias Hansen
Let’s turn around and walk home
Let's turn around and walk home, 2016
Glass, cork, CFL lighbulb
Dimensions variable
Elias Hansen
I ain’t even know where I got it
I ain't even know where I got it, 2013
Found object, glass, steel, wood
Tue Greenfort
Horseshoe Crab #05
Horseshoe Crab #05, 2017
Concrete
Edition of 30
Tue Greenfort
Horseshoe Crab #04
Horseshoe Crab #04, 2017
Concrete
Edition of 30
Tue Greenfort
Horseshoe Crab, Companion Species YOUTUBE Series, I
Horseshoe Crab, Companion Species YOUTUBE Series, I, 2013-2017
Video
Edition of 3 + 2 AP
12:24 min
COBRA
THE FUTURE IS WILD
THE FUTURE IS WILD - weather news, 2014
MP4 video
Edition of 5 + 1 AP
11m15, HD H264
COBRA
The Object
The Object - Glorious -, 2014
Acrylic-photo mounting, silver-print, clock
Edition of 3 + 1 AP
Dawn Cerny
Entry Way, Manhattan
Entry Way, Manhattan, 2016
Plaster tape, foamcore, paint, archival inkjet
Dawn Cerny
Guest Bedroom, Pacific Palisades
Guest Bedroom, Pacific Palisades, 2016
Plaster tape, foamcore, paint, archival inkjet
Colleen Brown
Pocket packet
Pocket packet, 2016
Mixed Media