In advance of the inaugural Toronto Biennial this fall, Canadian Art is publishing a weekly series of behind-the-scenes features from artists, curators and participants in which they discuss the research and processes that inform their practices.
Curtis Talwst Santiago was a musician before he decided to devote himself solely to visual art. As a multidisciplinary artist, he first gained attention with his miniature dioramas; he’s now presenting performance, sculpture and painting projects in Canada, the United States, and abroad. He’s shown at the Art Gallery of Mississauga, the Studio Museum in Harlem (New York), Perez Art Museum (Miami), as well as the 2018 SITELines Biennial in Santa Fe, New Mexico and the 2018 Biennale de Dakar, Senegal. This fall, he’s participating in the inaugural Toronto Biennial. Here, he talks about some of the themes that inform his practice.
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