Daniel Rios Rodriguez (b. 1978, Killeen, Texas) received his MFA from Yale in 2007 and is a 2013 recipient of a Louis Comfort Tiffany Foundation Award. Rodriguez has exhibited in solo and group exhibitions at Cooper Cole, Toronto, Canada; Nicelle Beauchene, White Columns, Martos Gallery, New York; Hannah Hoffman Gallery, Roberts & Tilton Gallery, Los Angeles; Artspace, San Antonio Museum of Art, McNay Art Museum, San Antonio, USA; Lulu, Mexico City, Mexico; Galeria Fortes D’Aloia & Gabriel, São Paulo, Brazil; Kerlin Gallery, Dublin, Ireland. Rodriguez lives and works in San Antonio, USA.

CV

Born 1978, Texas
Lives and works in San Antonio, TX

Education

2007

MFA, Yale School of Art, New Haven, USA

2005

BFA, University of Illinois, Chicago, USA

Solo and Two Person Exhibitions

2020  

Nicelle Beauchene Gallery, New York, USA (Forthcoming)

2019

Bruisers, Artpace, San Antonio, USA
San Antonio Museum of Art, San Antonio, USA

2018

Bite the Tongue, Kerlin Gallery, Dublin, Ireland
It was literally the wreck of jewels and the crash of gems…, with Kate Newby, Nicelle Beauchene Gallery, New York, USA

2017

Daniel Rios Rodriguez, Cooper Cole Gallery, Toronto, Canada
Controlled Burn, Nicelle Beauchene Gallery, New York, USA

2016

Lulu, Mexico City, Mexico
Western Exhibitions, Chicago, USA

2015

Artists Looking at Art, McNay Art Museum, San Antonio, USA

2014

Crosseyed and Painless, Sargent’s Daughters, New York, USA
2013 Paint Work, One River Gallery, Englewood, USA
2011 White Columns, New York, USA

Selected Group Exhibitions

2019

Beach, River, Forest, Sean Horton (presents), New York, USA (Forthcoming)
Prince.ss.es des Villes, Lulu Retrospective, Palais de Tokyo, Paris, France
Frieze London, Cooper Cole, London, UK

2018

Seeing Believing Having Holding, organized by Dan Byers at i8 Gallery, Reykjavik, Iceland
Right Here, Right Now: San Antonio, Contemporary Arts Museum Houston, Houston, USA

2017

Of A Well Sucked Apricot, Tif Sigfrids, Los Angeles, USA
Milano Chow/Ann Greene Kelly/Daniel Rios Rodriguez, Michael Benevento, Los Angeles, USA
Hannah Fritz, Áine McBride, Daniel Rios Rodriguez, Marcel Vidal, Kerlin Gallery, Dublin, Ireland
Quiet, Barbara Seiler Galerie, Zürich, Switzerland
A Terceira Mão/ The Third Hand, Galeria Fortes D’aloia & Gabriel, São Paulo, Brazil

2016

The Faraway Inside, Nicelle Beauchene Gallery, New York, USA
A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, USA

2015

And There Is An End, James Harris Gallery, Seattle, USA
Figuratively, Wilkinson Gallery, London, UK
And There Is An End, Roberts & Tilton Gallery, Los Angeles, USA
Cabinet of Curiosities, Mini Art Museum, San Antonio, USA
Artists Looking at Art, McNay Art Museum, San Antonio, USA

2013

Painting 101, Sargent’s Daughters, New York, USA
Why is Everything the Same? Works from the Collection of Anne Collier and Matthew Higgs, Martos Gallery, New York, NY

2012

Pig Party, organized by Gina Beavers, New York City Gallery, New York, NY
Sleep Late, My Lady Friend, Horton Gallery, Berlin, Germany

2011

Sailors and Shamans, Marvelli Gallery, New York, NY
Scrawl, Artspace, New Haven, CT

2007

La Casa Cultural, Yale University, New Haven, CT

2004

Juventus, Ukrainian Institute of Modern Art, Chicago, IL

Residencies

 2018

Artist in residence, Chinati Foundation, Marfa, USA

Awards

2013

Louis Comfort Tiffany Foundation Award

Selected Biography

2018

Dowty, Morgan. “Review,” Art in Print, April.

2017

Reeve, Charles. “Review,” Frieze, September 1.
Horst, Aaaron. “Review,” Contemporary Art Review LA, August 2.
Tipton, Gemma. “Review: New talent at the Kerlin and 23 artists at Ellis King,” The Irish Times, August 1.
King, Simone. “Critics’ Pick,” Artforum, July 21.
“The best art exhibitions to catch this weekend,” The Irish Times, July 6.
Rosenmeyer, Aoife. “Review,” art agenda, June 1.
Hort, Rema. “Spring Shows to Know,” Whitewall, May 16.
Filho, Celso. “Exposicao Coletiva,” Divirta-se, March 30.
Sharp, Chris. “Theory of the Minor,” Mousse, February-March.
Filho, Celso. “Exposicao Coletiva,” Divirta-se, February 9.
“Onze Artistas Discutme a Tridimensionalidade na Pintura em “A Terceira Mao”,” PIPA, February 6.
“Abertura: A Terceira Mao,” Eventbu, February 6.
“Abertura da coletive “A Terceira Mao” na Galeria Fortes, D’Aloias & Gabriel,” Glamurama, February 2.

2016

“Daniel Rios Rodriguez at Lulu,” Contemporary Art Daily, November 19.
MacMillan, Kyle. “Daniel Rios Rodriguez, Western Exhibitions Review,” Art in America, April.
Dluzen, Robin. “Daniel Rios Rodriguez,” Visual Art Source, February.

2015

Herbert, Martin. “Review: Four Painting Shows,” Frieze, September.

2014

Pagel, David. “And There Is An End, But no end to its goofy appeal,” Los Angeles Times, March.
Kohler, Willam Eckhardt. “A few current shows Part II,” Painting Lives, March.

2013

Corwin, William. “It’s Elementary: Painting 101 at Sargent’s Daughters,” Art Critical, February.
Barry, Mark. “A Thing about Painting,” Ionarts Blog, November.

2012

James, Jamillah. “Studio Visit: Daniel Rios Rodriguez,” Studio: The Studio Museum in Harlem Magazine, Summer/Fall.

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